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Pareles, Jon; Caramanica, Jon; Morris, Wesley; Zoladz, Lindsay (April 17, 2020). “Fiona Apple Is Back and Unbound: Let’s Discuss”. Pareles, Jon; Caramanica, Jon; Zoladz, Lindsay (December 2, 2020). “Best Albums of 2020”. The new York Times. Hodgkinson, Will (April 17, 2020). “Fiona Apple: Fetch the Bolt Cutters evaluation – she has Kate Bush’s poetry and the spirit of Tom Waits”. Chang, Alisa (April 22, 2020). “‘Fetch Your Tool Of Liberation’: Fiona Apple On Setting Herself Free”. Wood, Mikael (December 9, 2020). “The ten Best Albums of 2020”. The Los Angeles Times. Wood, Mikael (April 16, 2020). “Fiona Apple’s stunningly intimate new album makes a daring present of unprettiness”. Wilson, Seth (April 22, 2020). “Review: Fiona Apple’s Fetch the Bolt Cutters Is a Prismatic Pop Experiment”. Handler, Rachel (January 22, 2020). “Quarter-hour With Fiona Apple”. Handler, Rachel (April 17, 2020). “The Story Behind Every Track on Fetch the Bolt Cutters”. Krol, Charlotte (April 17, 2020). “Fiona Apple – ‘Fetch The Bolt Cutters’ evaluation: an intoxicating hear that may minimize deep”. Mapes, Jillian (December 8, 2020). “The 50 Best Albums of 2020”. Pitchfork. Rossignol, Derrick (December 18, 2020). “If Fiona Apple Wins A 2021 Grammy, She’ll Smash It With A Sledgehammer”.

December 2000 in Boston (Berklee Performance Center), New York, Chicago (Merle Reskin Theatre), and Los Angeles. Three months earlier, in an interview with The Guardian, she stated that she had wished to have been capable of have a good time with other nominees in the most effective Rock Performance category which, for the first time in historical past, had been all women. On the 63rd Annual Grammy Awards, Fetch the Bolt Cutters won the Grammy Award for Best Alternative Music Album, while “Shameika” gained the Grammy Award for Best Rock Performance. Patrick Ryan of USA Today described the album as “a dense and richly poetic masterpiece from one in all music’s best trendy storytellers” with “razor-sharp statements and evocative lyrics that reveal themselves in every new listen”. 387. A politician is the one who shakes your hand before elections and your confidence after. Samantha flirts with a priest, has nude photos taken, attempts a relationship with a lesbian, and sleeps with various companions, together with a man who engages in child discuss, a wrestling coach, and a farmer. Specifically we demonstrate that (a) optimum copyright is more likely to fall because the production costs of ‘originals’ decline (for example as a result of digitization) (b) technological change which reduces costs of production might indicate a decrease or a lower in optimum levels of protection (this contrasts with a lot of commentators, particularly within the copyright industries, who’ve argued that such change necessitates will increase in protection) (c) the optimal level of copyright will, basically, fall over time as the stock of work will increase.

Apter, Terri. “Do Cross-Gender Friendships Always Have a Sexual Element?”. Stephen Thomas Erlewine of AllMusic wrote that “It’s rare to take heed to a pop album and do not know what comes next, and Fetch the Bolt Cutters delivers surprises that delight and bruise at a speedy pace”. Maybe the gays in Japan don’t have wherever else to have a ceremony so they’re caught with Disney, poor people. However, Apple didn’t attend the ceremony. Erlewine, Stephen Thomas. “Fetch the Bolt Cutters – Fiona Apple”. Fetch the Bolt Cutters (booklet). Curto, Justin (April 17, 2020). “Critics Agree: Fiona Apple’s Fetch the Bolt Cutters Is an Instant Classic”. Rutherford, Kevin (May 6, 2020). “Fiona Apple Makes Record-Breaking Return to Radio With ‘Shameika'”. Shipley, Al (May 5, 2020). “Fiona Apple’s Bassist and Co-Producer Sebastian Steinberg Discusses How Fetch the Bolt Cutters Was Made”. Tan, Emily (April 29, 2020). “Fiona Apple Discusses New LP and Acknowledging Indigenous Lands”. Barton, Laura (April 17, 2020). “Fiona Apple: Fetch the Bolt Cutters overview – a glorious eruption”.

Hatfield, Amanda (April 17, 2020). “Pitchfork offers Fiona Apple’s new album a 10”. BrooklynVegan. Pollard, Alexandra (April 16, 2020). “Fiona Apple, Fetch the Bolt Cutters assessment: A witty, great album laced with defiance”. Richardson, Mark (April 22, 2020). “‘Fetch the Bolt Cutters’ by Fiona Apple Review: Music Made for a Lockdown”. Maas, Tyler (April 30, 2021). “Hear Trixie Mattel pay tribute to Johnny Cash, Cher, extra on her new ‘Full Coverage Vol. 1’ EP”. Minsker, Evan (April 1, 2020). “Fiona Apple Releasing New Album Fetch the Bolt Cutters This Month”. Pelly, Jenn (April 16, 2020). “Fiona Apple: Fetch the Bolt Cutters Album Review”. Jenke, Brittany (April 17, 2020). “Pitchfork just gave Fiona Apple their first good rating in nearly a decade”. Hull, Tom (April 18, 2020). “Music Week”. Berman, Judy (April 17, 2020). “Fetch the Bolt Cutters Is Raw, Introspective and Everything We need Out of a Fiona Apple Album”. Bacior, Robin (January 22, 2020). “Fiona Apple says new album will “be carried out soon””. The lead single “Shameika” peaked at number 19 on the Billboard Adult Alternative Songs chart in June 2020; it was Apple’s first entry on the chart since “Fast as You can” in January 2000, breaking the file for the longest time between entries on the chart.